Elegy, Ashen
- Editorial Staff

- 1 day ago
- 2 min read
by Katie Kim
In her face, I find grief’s white-
rose solitude: white as sawn wood. Her lips
could once singe a match with only
the embered strike of her words—now, the rusted
rooftop rail gnaws at her lasting
thoughts, what I imagine they were. This house
remembers her. The kettle’s mouth still whispers
her name, her bedroom mirror still holding
the bloom of her laugh in its unknowing
face. Now, her blouse has curled into ash. The loose
hair caught in the drain—ash. Her skin
post-flame—a river of ash. The yellow apron she wore
each day, slicing peaches into waning moons
so her only daughter would smile—a memory
of ash. The ring of light she left
where her wedding photo spent a decade
rusting—the mercy of ash. Her faint perfume still
hangs in the air like a promise. Her promise: I’ll be
home soon, ae-gi-ya[1]—a promise
of ash. After she died, the quiet street outside
our house blurred with rain: days of it, wipers
swiping my confusion from the windshield
each time I tried to leave home: no more
neatly-folded bed sheets, no more suffocating
good morning hugs, no more cereal boxes
lined up neatly against the counter’s edge after
shaking Rice Krispies into her bowl. I exhale
on-beat with the air conditioner’s hymn, humming
from the balcony until its mouth fills—
a fist of ash. Then, silence smears my ashen skin.
[1] Baby in Korean
Katie Kim is a student attending Deerfield Academy in Deerfield, Massachusetts. As a writer, she is particularly interested in poetry and realistic fiction. Her work has previously appeared in SWWIM, Connecticut River Review, Crashtest, and elsewhere. She is an alumna of the Sewanee Young Writers’ Conference, the Juniper Institute for Young Writers, the Advanced Ellipsis Writing Workshop, and the Adroit Summer Mentorship Program. As well as creative writing, Katie enjoys visual art and playing the oboe.



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