Goldberg
- Editorial Staff
- 6 hours ago
- 1 min read
by Susanne von Rennenkampff
Suddenly, one morning,
a swirl of raspberry-red
and mottled brown -
the purple finches have arrived,
their love song so much
like the aria leading
into the Goldberg variations:
so quiet, filled with such
tenderness, it is hard
to imagine anything harsh
exists in the world. Did Bach
write this after the death
of a child? Imagine losing ten –
how do you not fall mute
with despair? And yet, here is
not only quiet acceptance
but joy: of thirty variations,
only three in a minor key.
Ten dead, and ten more
alive, and thriving.
The house filled with life,
and music, and love.
The finches, stirring
the branches of the poplar trees,
know nothing of harmony,
or everything.
A long-time farmer and gardener, Susanne von Rennenkampff often takes her inspiration from the natural world and her travels. Her poems have appeared in a number of literary magazines in Canada and the US, including “Room”, “The Antigonish Review”, ”Prairie Fire”, “Grain”, “The Banyan Review”, “Evening Street Review” and, upcoming, “Cirque”. A chapbook of her poetry, “In the Shelter of the Poplar Grove”, was published by The Alfred Gustav Press. She lives in rural Alberta, Canada.