News Flash from the Antarctic
- Editorial Staff
- Jun 23
- 2 min read
by Diana Woodcock
Here’s what we know with certainty:
Far far below, vast ice shields are melting;
the sea is releasing ancient carbon dioxide;
increasingly more violent winds
are changing critical currents.
Here’s what we sense with intense
awe and reverence: All of life is sanctified,
beautiful and tied together with a oneness
that was harmonious until man began
to tinker with it all.
Here’s what we know with fear
and trembling: It’s all about to fall
apart because of our disconnection
to the holiness – wholeness – of
everything. All around us, we can
see severity and yet beauty.
We languish between hope and a
paralyzing sense of fate – fear that
it’s too late, clinging to a sense
of tenderness toward existence.
We go on straining to hear above
the lamentations celestial music,
intent on rising above the burden
of fatality and grief. But with unwavering
belief, here’s what we know: Sorrow
makes fertile ground for joy. And beyond
the hollow space of silence can be heard
the grace of that joyful praise
Alhamdulillah
Hallelujah
Diana Woodcock has authored seven chapbooks and six poetry collections, most recently Heaven Underfoot (winner of the 2022 Codhill Press Pauline Uchmanowicz Poetry Award), Holy Sparks (2020 Paraclete Press Poetry Award finalist) and Facing Aridity (2020 Prism Prize for Climate Literature finalist). A three-time Pushcart Prize nominee and Best of the Net nominee, she received the 2011 Vernice Quebodeaux Pathways Poetry Prize for Women for her debut collection, Swaying on the Elephant’s Shoulders. Currently teaching at VCUarts Qatar, she holds a PhD in Creative Writing from Lancaster University, where she researched poetry's role in the search for an environmental ethic.
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