An Hour in the Dentist’s Chair
- Editorial Staff

- 18 hours ago
- 2 min read
by Susanne von Rennenkampff
Sponge Bob does his thing
on the screen in the ceiling: a kid
must have sat in this chair
before me.
I can only see her eyes between
cap and mask, brown, sparkling –
she likes to talk, and by now
I know of her three kids, of
hockey practice, juggling the demands
of work and a young family.
My eyes flit back to the square
yellow figure doing its antics
above me. Annoyed at myself
I close them, listen to her voice,
quite clear through the hiss
of the machine. When I can’t answer
I hear her humming
when a song she likes
comes over the sound system.
She’s planning to walk the Camino
with her mom, a teacher
nearing retirement. Her dad, content
on their farm, has no need for
a pilgrimage. I can tell
she is fond of them both. A good daughter.
Good wife, good mom, good at
what she does.
How many people have brushed my life
like this? How many lives have I brushed
in turn? How many stories
have I listened to not needing
to keep them straight? A fellow patient
at the doctor’s office, the man behind me
at the checkout in the supermarket, on the shuttle to the ferry.
Confidences easier told sometimes
to someone we meet in passing.
Years later something might suddenly remind us
of the woman lifting her suitcase
onto the luggage rack,
brushing a strand of hair from her face,
catching her breath, admitting
to loving Mozart and beech forests in the spring.
We might wonder if by chance
we read her poems without ever knowing
they were hers.
A long-time farmer and gardener, Susanne von Rennenkampff often takes her inspiration from the natural world and her travels. Her poems have appeared in a number of literary magazines in Canada and the US, including “Room”, “The Antigonish Review”, ”Prairie Fire”, “Grain”, “The Banyan Review”, “Evening Street Review” and, upcoming, “Cirque”. A chapbook of her poetry, “In the Shelter of the Poplar Grove”, was published by The Alfred Gustav Press. She lives in rural Alberta, Canada.



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